Publications

Publications

Books

 

Reviews

‘A meditation on the fraught, fragile, and complicated love for place, ‘Liminal Spaces’ is ultimately an act of resistance. The fifteen women refuse to give in to the label of ‘disappearing’. Their words and art demand that they be seen.’ —Wasafiri Journal

Liminal Spaces: Migration and Women of the Guyanese Diaspora (Open Book, Cambridge, UK, 2020) explores the art and migration narratives of fifteen women of Guyanese heritage. It spans diverse inter-generational perspectives—from those who leave Guyana, and those who are left—and seven seminal decades of Guyana’s history—from the 1950s to the present day—bringing the voices of women to the fore. The volume is a visual exhibition on the page; a four-part journey navigating the contributors’ essays and artworks, allowing the reader to trace the migration path of Guyanese women from their moment of departure, to their arrival on diasporic soils, to their reunion with Guyana. Eloquent and visually stunning, Liminal Spaces unpacks the global realities of migration, challenging and disrupting dominant narratives associated with Guyana, its colonial past, and its post-colonial present as a ‘disappearing nation.’ Multimodal in approach, the volume combines memoir, creative non-fiction, poetry, photography, art and curatorial essays to collectively examine the mutable notion of ‘homeland,’ and grapple with ideas of place and accountability.

 

‘Conceived as a visual exhibition on the page, ‘Liminal Spaces’ brings incredibly timely insights on the Guyanese diaspora to the fore. Through artworks, it is able to cover more ground than a classic scholarly analysis would be able to, while making it accessible to different audiences. As one of the only contributions of its kind, its importance cannot be overstressed.’GRIOT


International Exhibitions

 

[Forthcoming] Aïda Muluneh​: This Bloom I Borrow, Efie Gallery, Dubai, UAE, 2026.

Donald Locke: Resistant Forms, Ikon Gallery, United Kingdom, 2025.

 

Addis Foto Fest, 5th Edition, Addis Ababa, Ethiopia, 2018.

Addis Foto Fest, 3rd Edition, Addis Ababa, Ethiopia, 2014.

 

Exhibition Catalogues

[Forthcoming] Woven Wind, National Museum of African American Music, Nashville, TN, 2026

Notes on Postpartum Aesthetics, Compound, Long Beach, CA, 2025.

Amazonia Açu, Americas Society, New York City, NY, 2025.

 

Between Rivers and Revolutions, Engine for Art, Democracy & Justice, Nashville, TN, 2025.

What the Body Carries, Frist Art Museum, Nashville, TN, 2025.

 

Deborah Jack: 20 Years, Pen + Brush, New York City, NY, 2022.

Suchitra Mattai: Herself as Another, Hollis Taggart, New York City, NY, 2022.

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Women’s Work: Art & Activism in the 21st Century, Pen + Brush, New York City, NY, 2019.

 
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Race, Myth, Art and Justice, Caribbean Cultural Center, New York City, NY, 2018.

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Un | Fixed Homeland, Aljira Center for Contemporary Art, Newark, NJ, 2016.

 

Book Chapters

“The Ones Who Leave and the Ones Who Are Left,” Women and Migration: Responses in Art and Art History, Open Book Publishers, Cambridge,United Kingdom, 2019, pg. 473-89.

Women and Migration: Responses in Art and History, Open Book Publishers, Cambridge, 2019.

 

Essays & Journal Articles

Family Matters: A Closer Look at Frank Bowling’s Middle Passage Paintings, British Art Studies, 2025.

Embodiments of Indenture, Journal of Indentureship and Its Legacies, 2024.

Centering Guyanese Women’s Art Migration Narratives, AWARE, 2024.

 

Artistic Responses to Crossing the Kālā Pānī, Arts, 2023.

Those Who Remain: Guyana’s Amerindian Women, The Scholar and Feminist Online, 2023.

Frank Bowling: The Mother’s House Paintings, Caribbean Cultural Institute, Forum, 2023.

 

Women, Art & Activism in Guyana, Women, Gender, and Families of Color, Spring, 2021.

 
“Un|Fixed Homeland: Exploring the Guyanese Experience of Migration,” Transition Magazine, Hutchins Center, Harvard University, Issue 121, November 2016.

Exploring the Guyanese Experience of Migration, Transition Magazine, Harvard University, Fall, 2016.

“Unfixed Homeland: Artists Imagining the Lives of Women of Windrush,” Wasafiri, London, United Kingdom, Issue 94: Summer, 2018, pg. 31-40.

Unfixed Homeland: Artists Imagining the Lives of Women of Windrush, Wasafiri, Summer, 2018.

“Rituals, Remembrance, Rupture, and Repair: The Jhandi Flag in Contemporary Guyanese Art,” Asian Diasporic Visual Cultures and the Americas, April 2019, pg. 195-200.

Jhandi Flag in Contemporary Guyanese Art, Asian Diasporic Visual Cultures, Spring, 2019.

 

A Guyana Worldview, Nueva Luz Photographic Journal, Fall, 2013.

“A Return to Roots,” Nueva Luz Photographic Journal, Volume 16, Issue 2, Summer, 2012.

A Return to Roots, Nueva Luz Photographic Journal, Summer, 2012.

 
“Beautiful Ambiguities,” in Gender and the Caribbean Body, Small Axe Salon 18, February 2015.

Beautiful Ambiguities, Gender and the Caribbean Body, Small Axe Salon 18, February 2015.

 
 

OF NOTE Magazine where art meets activism