Grace Aneiza Ali

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Repost from @efiegallery • We would like to extend a special thank you to all of the distinguished guests who joined us for the opening of Aïda Muluneh’s (@aidamuluneh) second solo exhibition with Efie Gallery, ‘This Bloom I Bor
I loved being in conversation with the two brilliant editors, Courtney McClellan and @courtneylmcclellan and Natalie Willis Whylly @nwilliswhylly, of Burnaway @burnaway, a publication whose vision and ethos I deeply admire. We got to spend time as cu
Donald Locke’s @donaldlockestudio first monograph is here, published alongside his first major survey on view in Birmingham, UK and traveling next to London. ⁣⁣ ⁣⁣ I have been engaged with Donald’s work and archives for nearly a decade. A
Our family has laid to rest our “Gigi” Sonia Lindsay after her valiant fight with cancer. She was the flyest lady. And the baddest chef. Every Christmas, she made the best black cake in all the land, heavy on the rum pour 😉 and even hea
Last week, we opened Amazonia Açu at the Americas Society in New York @artamericassociety — an extraordinary undertaking that gathered 9 curators and 34 artists and collectives from across all nine countries of the Amazon: Bolivia, Brazi
It’s been lovely to be back on the continental homeland for the opening program of the 36th São Paulo Biennial @bienalsaopaulo and to be in conversation with the wonderful María Magdalena Campos-Pons, Kamaal Malak, and Odette Casa
"𝑪𝒂𝒏 𝒚𝒐𝒖 𝒃𝒆 𝒂 𝒓𝒆𝒗𝒐𝒍𝒖𝒕𝒊𝒐𝒏𝒂𝒓𝒚 𝒂𝒏𝒅 𝒔𝒕𝒊𝒍𝒍 𝒍𝒐𝒗𝒆 𝒇𝒍𝒐𝒘𝒆𝒓𝒔?" ⁣ I’ve long been drawn to this provocative question. And used it as a lens into the practice of María Magdalena Campos-Pons (on the o
An absolute gift to be photographed by the extraordinary @king_marvino Marvin Joseph, whose lens on women of color—full with depth and power—is both vital and necessary in this moment. And styled by the equally formidable and talented Mav
Donald Locke: ‘Resistant Forms’ We are proud to announce the publication of the first major monograph on Guyanese-British artist Donald Locke (1930–2010) — a richly illustrated journey through five decades of sculpture, paint
Editors are alchemist. And when Emily Alesandrini @whitetrashcurator paired me with the brilliant artist Bethany Collins @bethanyjoycollins to write about her equally stunning work for @prospect_nola Prospect.6 (New Orleans): The Future Is Present, T
Dear LA Friends, join us this Saturday, May 31, 2-5 PM, for a powerful day of art, conversation, and community at Compound @compoundlbc. My very special thanks to the wonderful @januaryparkosarnall, Executive Director of Compound, for the invitation
I'm grateful to start my Fellowship at The Huntington, immersed in this stunning botanical setting.
This May, I’ll receive the Distinguished Jubilee Award from the Queen’s College of Guyana Alumni Association (NY Chapter), marking 50 years since the school first opened its doors to girls. As QC affirms, “Although co-education is s
𝑩𝒆𝒕𝒘𝒆𝒆𝒏 𝑹𝒊𝒗𝒆𝒓𝒔 𝒂𝒏𝒅 𝑹𝒆𝒗𝒐𝒍𝒖𝒕𝒊𝒐𝒏𝒔 📍 Engine for Art, Democracy & Justice, Vanderbilt University 🗓️ March 28 – June 12, 2025 Curated by Grace Aneiza Ali @grace_aneiza_ali In 𝑩𝒆𝒕𝒘𝒆𝒆𝒏 𝑹𝒊𝒗𝒆𝒓𝒔 𝒂𝒏𝒅 𝑹𝒆?
Beautiful things come in bright pink packages! So grateful to the @therabkinfoundation, an organization I deeply admire, for supporting my work as an arts writer. What a lovely way to be welcomed into its community of excellence in arts writing. My h
⁣ I wrote about the profound work of Haitian American artists M. Florine Démosthène and Didier William in "What the Body Carries," on view at The Frist Art Museum in Nashville @fristartmuseum and thoughtfully curated by Katie