Engine for Art, Democracy & Justice, Vanderbilt University, 2025 | The river remembers—carrying the echoes of those who fought for liberation. In Between Rivers and Revolutions, Vanessa Charlot’s lens moves between the waters of the Mississippi Delta, the tides of Haiti, and the currents off Florida’s coast and traces the spiritual, cultural, and revolutionary ties binding these landscapes.
Read MoreAtlanta Contemporary, 2024-25 | In 1992, Donald Locke was one of the first artists in residence at Nexus, now Atlanta Contemporary. Three decades later, the exhibition returns to the site and to the 1990s as a generative chapter where an ethos of experimentation and boundlessness flourished and the idea of nexus itself permeated his work.
Read MoreEngine for Art, Democracy & Justice, Vanderbilt University, 2025 | James Makuac has spent his life navigating worlds. From the savannahs of South Sudan, to the plains of Ethiopia where he fled civil war, to the refugee camps in Kenya that offered temporary safety, to Nashville where he has rooted his art practice for twenty years.
Read MoreMuseum of Fine Arts, FSU, 2023 | In Are We Free to Move About the World: The Passport in Contemporary Art, fifteen global contemporary artists examine the great paradox of the passport in the context of our migration crisis—its ability to grant freedom of movement as well as curtail it.
Read MoreJamaica Center for Arts and Learning, New York, 2021 | In a year defined by great turmoil, sorrow, and division, Encounters features women artists from the South Asian diaspora who came together across geographical, cultural, political, and religious boundaries.
Read MoreCaribbean Cultural Center, New York, 2021 | On Protest and Mourning explores how we grapple with anger, loss, and grief in response to state violence and police brutality perpetrated against Black lives.
Read MorePen + Brush, New York, 2019 | Women’s Work presents five global contemporary artists-activists who continue to expand the definition of women’s work and expose its complexity, nuance, and ever-evolving nature.
Read MoreCaribbean Cultural Center, New York, 2018-19 | Race, Myth, Art and Justice explores the premise of “race” as a social construct rooted in myth, while simultaneously interrogating its profound implications and indignities on our 21st century lives.
Read MoreCaribbean Cultural Center, New York, 2017 | The artists in Liminal Space represent both spectrums of migration: the ones who leave and the ones who are left. They tease out symbols of decay and loss, avoiding trappings of nostalgia by envisioning avenues out of displacement.
Read MoreAljira, a Center for Contemporary Art, New Jersey, 2016 | Un | Fixed Homeland brings together an inter-generational roster of artists of Guyanese heritage who, via photography and photography-based art, explore their intimate relationship to the experience of migration and homeland.
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